Strange Science: Genetics and Mental Development

Scientists in the United States and Sweden recently completed a study of genetics and mental development, using twins and tracking eye movement.

When young sets of twins were exposed to the same images, researchers tracking their eye movement found that identical twins tended to look at the images in the same way–focusing on the same parts in the same order, and holding their gaze on the same places for the same amount of time. The researchers found that this similarity was strong enough that they could match up a pair of twins simply by looking at the eye movement tracking information. Fraternal twins exhibited a greater divergence in their examinations of the images, though they still shared some similarities. From this, the researchers have determined that the closer genetics of identical twins are more significant than the shared environment of either type of twins.

To read more about this study, check out this summary article!

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That Man Behind the Curtain: April 2018

Storybook Land Drinking Fountain

A festive drinking fountain from Storybook Land in Aberdeen, SD.

April involved the extension of our submission period for Battling in All Her Finery. Backer surveys have continued to trickle in, and some revenue has come with it. Also we’ve seen an increase in our Patreon support.

The Money Aspect

Amounts in parentheses are losses/expenses.
Web Resources: (-$76.06)
Stories: (-$40.00)
Art: (-$239.57)
Advertising: (-$195.91)
Processing Fees: (-$29.15)
Printing: (-$6.45)
Conventions: $50.00
Donations: $85.71
Kickstarter: $172.00
Physical Sales: $226.00
Online Book Sales: $41.87

Total: (-$11.56)
QTD: (-$11.56)
YTD: (-$398.76)
All Time: (-$24,136.69)

As usual, I try to list costs for art and stories under the month that the stories run on the site rather than when I pay them. (This does not apply to special content for quarterlies, which does not have a specific month associated with it.) Sales are for sales when they take place, not when they’re actually paid out to me. Online book sales reflect the royalties given after the retailer takes their cut. Physical book sales represent gross income, not counting the cost of the physical book. Donations include Patreon as well as other money sent to us outside of standard sales.

Website costs in April include our subscription renewal for an anti-spam plugin on our website.

Kickstarter funds for April represent additional income generated for add-ons purchased by backers and backers who had previously had their credit card declined by Kickstarter proper.

Printing costs for last month were for fulfilling add-ons of past anthologies.

The conventions category is a positive amount because one of the events we had registered for was cancelled and we received a refund for it.

Submissions

We were open to submissions for Battling in All Her Finery through March and April. We received 143 submissions spread between those two months. We’ve accepted 21 stories for the anthology (14.7%), and 4 stories we offered to take for the regular Mad Scientist Journal publication (2.8%).

Our all time acceptance rate is 36.4%.

Followers

Below is the social media following we had at the end of April.

Patreon: 30 (+1)

Facebook: 1,897 (+78)

Twitter: 607 (+15)

Tumblr: 302 (+4)

Mailing List: 133 (+21)

Google+: 65 (+2)

Instagram: 106 (+15)

Traffic

Last three months:

April 2018: 2,256 visits, 1,500 users, 3,871 page views, peak day of 110.
March 2018: 2,527 visits, 1,840 users, 3,616 page views, peak day of 217.
February 2018: 1,250 visits, 984 users, 2,134 page views, peak day of 70.

Last three Aprils:

April 2017: 1,133 visits, 709 users, 1,751 pages views, peak day of 51 visits.
April 2016: 1,080 visits, 761 users, 1,878 page views, peak day of 59 visits.
April 2015: 1,703 visits, 1,225 users, 2,935 page views, peak day of 127 visits.

Traffic was still relatively high, likely due to our call for submissions. Normally we would have a slump in traffic right now, but the extended deadline for our anthology call kept numbers up.

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On Kickstarter: Comics and Graphic Novels

Cover art for The Gentleman #1There are two fantastic comics projects on Kickstarter right now that we thought our readers might be interested in. They’re both already funded, so at this point, you’d just be getting in on the sweet rewards (and possibly helping them reach some stretch goals).

The first is for the first issue of The Gentleman, which revolves around an investigator looking into a Lovecraftian horror. This comic is from the creator of Is’nana: The Werespider, which we mentioned previously. So if you’re also a fan of Greg Anderson Elysee’s work, you should definitely check out the Kickstarter for The Gentleman. This one ends tomorrow (May 31), so be sure to get over there quickly!

The other project is a graphic novel for the comic Aceblade by Danny J. Quick. This one offers more traditional comic book flavor, with heroes and villains, but also promises a character who grows and changes over time, rather than stagnating. You can check out the Kickstarter for Aceblade here! This one ends Friday, June 1st, so you’ll want to make a decision quickly on it as well!

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Eclipsed

A memoir by S. Villar, as presented by Xariffa Suarez
Art by A. Jones


A great tragedy has occurred. Poor Solara Villar, media darling and pianist extraordinaire, lost her parents, her twin sister, and her home in a massive fire. In an interview recorded several days earlier, Solara, as beautiful as ever, clutching her famous gloved left hand on her lap, tearfully announces her retirement from the concert circuit and from all public life.

Possibly for the hundredth time, I watch this on the newsfeed in my hotel suite at the top of The Ritz Towers, mouthing every word. I proudly note the interview, a world-class performance.

Pictures of Solara at different ages stream across the screen, evoking memories I don’t welcome. Extremely wealthy in her own right, the announcer says, Ms. Villar inherited a massive fortune. Of course, I know all of this, but I can’t stop watching.

The screen flashes scenes from the funeral. The eccentric girl had, the man says, erected a great monument at the family gravesite and, curiously, had it inscribed “Slain by the Jealous Moon.” He reports that speculation as to the source–Shakespeare’s play Romeo and Juliet, or the twentieth-century song “Jealous Moon,” by the Nitty Gritty Dirt Band–has flooded all social media.

Though free, rid of them all, my pitiless heart softens and, against my will, my thoughts return to the past.

~

Solara and I lived at a secluded estate in upstate New York with our parents Joseph and Marie Villar, in a twenty-room chalet made of great northern white cedar logs culled from the property. Mother ran the house and minded us, along with Nanny Alice, and despite invitations from local socialites, Mother had no interest in bridge clubs and charitable functions. When not traveling to conferences and such, Father spent his time in the laboratory on the top floor, forbidden to us.

We spent our early years romping around the estate with our four dogs, or pestering the gardeners and the housemaids. My sister enrolled at a private day school at age five and Mother dismissed Nanny Alice.

“Am I going to school, too?” I asked.

“No, dear one. I would be all alone,” Mother said. “I couldn’t bear parting with you.”

This satisfied me for a time as I, like all children, thoroughly believed in my personal divinity.

Art for "Eclipsed"

I stomped the ground and threw rocks at trees and birds. I cursed all natural life, as I had no part in it. Damn them. Damn them all to Hell.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2018 collection.


Ms. Villar, after a quiet few months grieving, set up a foundation for victims of disreputable scientists. It is not known how many clones of persons, to be politically correct, exist. They are found by word of mouth, and by special disguised ads in newspapers and on websites. The foundation maintains safe houses in every state, and future plans include worldwide expansion.


Xariffa Suarez lives in Dallas, Texas, of all places, but thinks she would be a better fit for New York, New Orleans, or OZ (the land of, not the prison). An avid reader straight out of the womb, the fantastical settled into her psyche. Old black and white sci-fi movies with pitiful special effects made her appreciate style. One story she wrote, “Farewell Fidel,” was published in an anthology by Southern Methodist University, where she took writing classes. This is her first story sale.


AJ is an illustrator and comic artist with a passion for neon colors and queer culture. Catch them being antisocial on social media @thehauntedboy.


“Eclipsed” is © 2018 Xariffa Suarez
Art accompanying story is © 2018 A. Jones

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Strange Science: Sensory Input

A good ventriloquist can make you believe that they are not the one doing the talking for their dummy. But the science behind why our brains believe that is a bit more complicated.

Scientists long believed that different parts of the brain processed the sensory input from each of our five senses. But a study at Duke University suggests that there are interactions between the sensory pathways prior to processing that ends up integrating the senses before their data are processed.

Jennifer Groh, one of the scientists on this project, explained the ventriloquist and dummy routine specifically: “The eyes see the lips moving and the ears hear the sound and the brain immediately jumps to the conclusion about the origin of the voice.” So it’s not just the skill of the ventriloquist; your brain is in on the “deception” as well!

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Review of An Aberrant Mind by Ken MacGregor

Cover art for An Aberrant MindAn Aberrant Mind (Sirens Call Publications, 2014) is a collection of very short horror stories by author Ken MacGregor. This book collects 22 short stories, which range in length from just a couple of pages to more traditional short stories. Because some of the stories are so short, it means there isn’t always much in the way of character development, but rather a scrambling, desperate clawing to not go down so quickly.

Many of the stories feature horrible things happening to the characters within, but the big distinction in the stories is how the characters react to their circumstances. Some are appropriately horrified, while others try to fight the inevitability. “The Abduction of Glynnis Johnson” is an example of the latter type, and one of the stories I enjoyed the most in this collection, as a retiree faces one of the Great Old Ones.

“Protégé,” one of the longer pieces in this collection, is a bit of a slow burn, where you know that something awful is going to happen, but it takes its time getting there, making it all the more torturous. Not all of the stories are completely terrifying, however; “SeaWolf” and “Arctic Wolf,” featuring the same main character, are much more humorous romps.

If you’re a fan of horror stories, especially ones that can be read quickly and occasionally feature flashes of humor, you’ll enjoy An Aberrant Mind.

The author provided us with a free copy of this novel in exchange for review consideration.

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Dummy

An essay by Curtis Hale, as provided by Nathan Crowder
Art by Luke Spooner


The detective paced the room, making a great show of looking over my arrest report, but it was the ventriloquist dummy in the rumpled blue suit that really held my attention. The detective barely spared me a glance when he came in with the wooden monstrosity. He set it in the chair across from me, picked up my file, and started pacing as he read.

He seemed to notice me for the first time, an apologetic smile flickering across his thin lips. “Don’t mind my partner Detective Pine,” he said.

“Yeah,” the dummy said. “Pretend I’m not even here.”

I almost fell out of my chair. “What the fu–”

The detective interrupted me. “Please, no swearing. It says here that when the officers picked you up, you were driving a 2017 Pegasus 3000XS, pearl white, with dealer plates. You claimed you had recently purchased the vehicle but had not yet transferred title. Is that correct?”

My attention never left Detective Pine, who seemed to be staring at me with his glassy eyes, and I only caught part of what the detective had been saying. “Yeah. I just bought the car.”

“Do you have proof of the transaction? A receipt, perhaps? A cancelled check?”

“A photo of you shaking hands with the previous owners, maybe?” the dummy said.

A trick. It’s gotta be a trick. Gotta be some new way to rattle me. A radio maybe, with a remote control for the jaw. Someone’s crazy science project.

The detective shook his head and advanced to the table. He set the file down in front of his wooden associate. “Although a photo with you and the previous owners might not help your case too much. We found their bodies in a vacant lot off Adams Street.”

I kept my trap shut. I figured they would probably get a stolen vehicle charge to stick, but I’d be damned if I’d give them enough rope to hang me for murder.

Art for "Dummy"

We sat in silence for several minutes, staring at each other. Trick or no, the dummy was starting to get under my skin. The goddamned thing even blinked occasionally as if for my benefit.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2018 collection.


Curtis Hale is currently serving a thirty-year sentence for second degree murder. He spends his time at the Sugar Mountain Penitentiary in the woodshop and has been a model prisoner.


Nathan Crowder intends to spend the rest of his life ventriloquist dummy free. Creator of the Cobalt City shared fiction universe, he is a writer of horror, fantasy, and superhero fiction. Found at both NathanCrowder.com and in Seattle, he owns a well-used wood axe.


Luke Spooner, a.k.a. ‘Carrion House,’ currently lives and works in the South of England. Having recently graduated from the University of Portsmouth with a first class degree, he is now a full time illustrator for just about any project that piques his interest. Despite regular forays into children’s books and fairy tales, his true love lies in anything macabre, melancholy, or dark in nature and essence. He believes that the job of putting someone else’s words into a visual form, to accompany and support their text, is a massive responsibility, as well as being something he truly treasures. You can visit his web site at www.carrionhouse.com.


“Dummy” is Copyright 2018 Nathan Crowder
Art accompanying story is Copyright 2018 Luke Spooner

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Strange Science: Where to Get Super Powers … Or Not

Radioactive waste barrels

ShinRyu Forgers (https://commons.wikimedia.org/wiki/File:TINT_Radioactive_wastes%27_barrel.jpg) CC-by-sa-4.0 (https://creativecommons.org/licenses/by-sa/4.0/)

With the number of super heroes who get their powers from radioactive waste, you’d think there’d be a lot more short-lived super heroes. Radiation may seem like an awesome source of powers, but the reality is that it is more likely to cause problems than grant powers.

If you’re not entirely convinced that humans need protection against radiation, Atlas Obscura has compiled a list of the most radioactive, toxic, or otherwise dangerous locations in the world. Bear in mind that they call these the “7 Places That Could Give You Superpowers, but Will Probably Kill You.” So you might want to think twice about making your travel plans to these locations!

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MSJ Alums Edit New Anthology

Cover art for Parallel PrairiesMSJ alums Darren Ridgley and Adam Petrash, who both had stories in our Fitting In anthology, are the editors of an anthology of Manitoba-inspired speculative fiction, which will be published this fall by Great Plains Publications Ltd. The anthology will include 19 stories by authors with a connection to Manitoba.

You can learn more about this anthology in their press release, in the Great Plains fall catalogue, or on Amazon, where you can pre-order it!

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Cocktails at the Mad Scientist’s House

An essay by Tina Eikenboom, as provided by Sarena Ulibarri
Art by Leigh Legler


I set the room on fire–I didn’t know what else to do. Two bodies slumped against the dresser. A woman and a man. My roommate and her obnoxious boyfriend.

Stephanie and Jason.

I shook their names out of my head. Corpses now. How I had overpowered them both, I didn’t quite understand. Strength like I’d never known before ran through my arms.

My heartbeat seemed to echo through that grungy rental house while I packed a hasty bag, set fire to the curtains and bed sheets, and drove. I stripped my bank account at the gas station ATM: $400, it’s all I had, twenty twenties now stuffed into my purse. Some strawberry blonde dye and a pair of “reading glasses” and I would be unrecognizable, Clark Kent-style. Though none of it mattered until I could get rid of this car. Surely my license plate would be all over the billboards soon, texted to every phone.

My phone. I took a longing look, then placed it in front of a semi-truck’s wheel at the pump next to me, and lingered until I heard the sick crunch of glass and circuits. The semi’s exhaust billowed into my face.

And then I drove, and I drove, and I drove.

Where should I go? Canada–no, too far, too many questions. I had a friend in Kentucky–would she hide me? I hadn’t even talked to her in years. Some no-name town off the highway where you could rent a room and work for cash, that’s what I needed. Those places still existed, right? I headed toward Wyoming.

Four hundred dollars wouldn’t get me far, but still, I drove, I drove, I drove.

As my gas gauge slipped toward empty, I thought maybe prison wouldn’t be so bad. I could read, I could work out. Maybe the weird super-strength that put me there would come back the first time another inmate picked a fight, and I could be Queen Butch. What good had I been to the world anyway? Just another rent-payer, gas-buyer, phone-checker, traffic-jammer. A million others just like me had managed to live their adult lives without accidentally killing the person they shared a house with. And over what? Some stained carpet and owed money, some rude words and misused photos.

I pulled off the road, hid my car behind some bushes, and tried to sleep, the murder re-playing through my mind on a loop.

Art for "Cocktails at the Mad Scientist's House"

My memories of the party were blurry, but I remembered accepting the drink, assuming it was simply a new cocktail.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2018 collection.


Tina Eikenboom is a real nobody. You’ve never heard of her, or met her. Unless maybe you went to high school with her. Or community college. If you ever lived next door, you might know her as that girl who plays music too loud. Tina’s not her real name, but it does start with a T, and if she has too much to drink, she might accidentally tell you what it is.


Sarena Ulibarri is a graduate of the Clarion Fantasy and Science Fiction Writers’ Workshop at UCSD, and earned an MFA at the University of Colorado, Boulder. Her fiction has appeared in Lightspeed, Fantastic Stories of the Imagination, Weirdbook, and elsewhere. She is editor-in-chief of World Weaver Press. Find more at sarenaulibarri.com.


Leigh’s professional title is “illustrator,” but that’s just a nice word for “monster-maker,” in this case. More information about them can be found at http://leighlegler.carbonmade.com/.


“Cocktails at the Mad Scientist’s House” is Copyright 2018 Sarena Ulibarri
Art accompanying story is © 2018 Leigh Legler

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