Steam & Hot Air

An essay by Tom Hetson, as provided by Zach Bartlett
Art by Errow Collins


The Pneumatic Chron-Accurate Reminder Siren mounted on our front porch let out two harsh trills in rapid succession, signaling lunchtime. We wondered how it managed to keep time so regularly–most of a clock’s inner workings seemed to have been arranged on the exterior of the machine, so we often mused that all it could have had inside was white paint and a small pile of numbers. Our rooster Jubel didn’t find it nearly as interesting, having been made redundant by the siren’s single morning report, and had taken to just skulking around all day like a beaked house cat.

Our lunch that day consisted of rather soggy sandwiches due to a poorly-placed exhaust valve on the Professor’s Reciprocating Steam-Powered Bread Slicer & Sandwich Arranger. My sister and I had thought it was a fun change at first, and made a little game of trying to eat them before they fell apart in your hands, but its novelty had begun to wear thin, and my father was particularly on edge that afternoon. I’m not sure if it was just the wet bread that set him off, or if it was the culmination of several troubles we’d had since the Professor moved in, but when we were done eating, he made my job for the afternoon quite clear: “Go and collect the month’s rent from the Professor, and make sure he doesn’t try paying with some cock-a-mamey machine this time. Don’t nobody take those for trade in town and we sure as hell can’t eat them.”

Aside from the Reminder Siren and the Sandwich Arranger, previous months’ rent had been paid with items ranging from a Compact Coffee Pressure-Percolator, which transformed coffee beans and water into noise and vile brown foam, to a Hydro-Combustion Mechanical Boot-Putter, which the Professor had described as being, “like a cotton gin, only backwards and for your feet.” My father had expressly forbidden us from trying to use the Boot-Putter as directed, and after my sister managed to launch a boiled egg through our screen door while toying with its mechanisms, he decided we shouldn’t touch it at all.

I pulled on my own boots, took a mule named Shelly from the stable, and began to ride her along the series of pipes and hoses that trailed from our fields back to a large tank next to the spare barn the Professor was renting. Even though his barn was a good distance from our house, it would’ve been easy enough to find even if there weren’t pipes leading back to it due to the frequent plumes of smoke it emitted. Fortunately for him, that day they were coming from the chimney.

The pipes leading to his barn were part of his down payment when he took up residence, a Syncopated Emission Depressurized Cooled Steam Distribution Array he’d been looking for a test farm to properly implement. I didn’t know how cooled steam was different from water, or how a syncopated thing was different from a normal irrigation system, but I’d heard him assure many potential customers that his versions were better. I didn’t doubt him, accepting youth that I was, but the only difference I could really see was that his versions always had more gears and springs and such on the outside.

When I arrived at the Professor’s barn, he was already out front, making some sort of adjustment to his own Reminder Siren. Once he noticed me he stopped and gave an enthusiastic wave in my direction. He was wearing a shabby overcoat and a pair of brass goggles with dark, thick-looking lenses. The bottom half of a smile was visible beneath his formidable mustache, which wouldn’t have looked out of place on a face twice as wide as his own.

“Thomas, my boy!” He bellowed, though I wasn’t more than 20 feet away. “What’s the good word this brisk, energizing afternoon?”

“Rent,” I said, not yet sharp enough to understand such turns of phrase.

The Professor seemed delighted by my youthful bluntness. “Getting right to business–no fiddling around! That’s an admirable quality in a man.” He made his way over to me with his usual stride, which always gave the impression that he was practicing to lead some odd parade. “Come over to the workshop and hitch the horse out front,” he said, patting Shelly on a haunch. “You’re not going to believe the marvelous machination I’ve just devised! How’d you like to be the first to test it out for me?”

Steam & Hot Air

I’d seen him in town when he was barking for his inventions before, so I knew what to say in order to advance the routine.”But what does it do?” I even raised my arms out to either side in emphasis.


To read the rest of this story, check out the Mad Scientist Journal: Summer 2016 collection.


Tom Hetson is the de facto assistant and biographer of Professor Quinceton Rutward, who is the inventor of such steamatic devices as the Theatricated Cloth-Raiser, the Hydrogravitic Crenellated Rain-Collecting Funnelbarrel, and the (s)Hotgun. Professor Rutward’s inventions have been showcased at the Albano County Eighth Annual Spring Fair as well as the Albano County Eighth Annual Fall Fair.


Zach Bartlett has had his short fiction in anthologies from Wildside Press and Sapiosexual Publications, co-written two Fringe Festival plays, and performed comedy shows in Providence, Rhode Island. He regularly writes and performs on stage with Esoterotica in New Orleans. You can find more of him–not in that way–online at http://zachbistall.wordpress.com


Errow is a comic artist and illustrator focused on narrative work themed around worlds not quite like our own. She spends her time working with her partner on The Kinsey House webcomic and developing other comic projects when she’s not playing tag with her bear of a cat. More of her work can be found at errowcollins.wix.com/portfolio.


“Steam & Hot Air” is © 2016 Zach Bartlett.
Art accompanying story is © 2016 Errow Collins.


An audio version of this story is available through Gallery of Curiosities.

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Proposals for Addressing the Mutant Cephalopod Cataclysm

An essay by Dr. John P. Armitage, as provided by Joshua Steely
Art by Luke Spooner; Diagrams by Dawn Vogel


Journal of the American Marine Biology Society, Volume 42B, Fall 1956.

Introduction:

Let me begin with a plea for cooperation from my fellow scholars. The constant accusations in these past few months, the debate over who caused the mutant colossal vampire squid problem–and, some go as far as to say, who should be held accountable for its disastrous effect on shipping, the ravaging of coastal cities, and the ensuing environmental disaster from devastated oil rigs–all of this must be put aside. It is not only unseemly in academic discourse, but unhelpful at addressing the issues at hand.

To that end, allow me to offer a few notes of clarification. The species of concern is properly Vampyroteuthis Infernalis ssp. Colossicus, not Architeuthis Vampyricus, as some have erroneously reported. Unlike its non-engineered base form, the Colossicus is aggressive in the extreme. The reasons for this are only of marginal interest, I’m sure. Lastly, yes, they can indeed adapt to fresh water and migrate up sufficiently navigable riverways.

The object of this paper, then, is to summarize recent suggestions for curtailing the cephalopod menace and demonstrate their unfeasibility, then offer my own modest strategy to meet the problem.

~

Recent Proposals Which Must Be Rejected:

Understandably, public opinion is currently heavily in favor of the plan being championed by no less a strategist than Admiral Walker. But let me echo the words of many cool heads in the scientific community and remind readers that the differences between a Teuthida and a U-Boat are many and varied. Tactics developed for use against the latter may have substantially less effectiveness against the former. I trust the rather rash forays undertaken so far bear this criticism out.

Mr. Albright’s suggestion that “we all move farther inland” takes a defeatist attitude I cannot abide. This sort of ostriching, however well-intentioned, only sacrifices our beachhead, which we will badly need for the coming challenge. As an aside, I happen to know on good authority that Mr. Albright is a Communist.

Coming into a more scientific vein, Dr. Whitaker’s Extensive Electric Shock plan, which some critics have so uncharitably dubbed the “pan-oceanic fish-fry proposal,” has much to commend it. But I do side with those suggesting that several currently unsolved problems in electrodynamics remain a barrier to the feasibility of this stratagem.

Also untenable is Senator Forsyth’s exhortation that “those responsible [in his favor, I notice that he does not stoop to naming names, my own included, as some have done] should set to work creating mutant colossal great white shark to combat the cephalopod menace.” Any step down this road would be to court Paddington’s Paradox–an infinite regress of lab-spawned predators successively dominating the ecosystem. Such a strategy is entirely too similar to Social Security, and presages an analogous doom.

It would be tedious to outline the pitfalls of numerous other calls for action, such as the trans-Pacific titanium net, rocket-propelled harpoons, and the increasingly popular “nuke dem squids” strategy being championed by irate crowds outside our nation’s capitol. Calm and finesse will bring us safely through this crisis.

Proposals for Addressing the Mutant Cephalopod Cataclysm

Having gathered our menace into a central location, any number of strategies become feasible for dealing with them: containment (diagram 2, “Prof. Schneider’s Instant Iceberg Encapsulement”), poisoning, the coordinated bombings and depth charges favored by our military luminaries … what have you. The denouement I leave to politicians and the managerial class.


To read the rest of this story, check out the Mad Scientist Journal: Summer 2016 collection.


Dr. John P. Armitage studied at numerous continental universities before completing his doctorate in biochemistry at Latherton University in Arcadia, MA.  His dissertation, “Possibilities for Transmutation of Teuthidide Pituitary-Related Processes” won the prestigious Ross-Finkleman prize.  For seventeen years he has taught biology and biochemistry at universities across the United States, culminating in holding the Mary Rutherford Chair of Marine Zoology at Latherton since 1952.


Joshua Steely lives in the Midwest with his wonderful wife and son.


Luke Spooner a.k.a. ‘Carrion House’ currently lives and works in the South of England. Having recently graduated from the University of Portsmouth with a first class degree he is now a full time illustrator for just about any project that piques his interest. Despite regular forays into children’s books and fairy tales his true love lies in anything macabre, melancholy or dark in nature and essence. He believes that the job of putting someone else’s words into a visual form, to accompany and support their text, is a massive responsibility as well as being something he truly treasures. You can visit his web site at www.carrionhouse.com.


Dawn Vogel has been published as a short fiction author and an editor of both fiction and non-fiction. Although art is not her strongest suit, she’s happy to contribute occasional art to Mad Scientist Journal. By day, she edits reports for and manages an office of historians and archaeologists. In her alleged spare time, she runs a craft business and tries to find time for writing. She lives in Seattle with her awesome husband (and fellow author), Jeremy Zimmerman, and their herd of cats. For more of Dawn’s work visit http://historythatneverwas.com/.


“Proposals for Addressing the Mutant Cephalopod Problem” is © 2016 Joshua Steely.
Art accompanying story is © 2016 Luke Spooner and Dawn Vogel.

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That Man Behind the Curtain: June 2016

Our table at Capital Indie Book Con!

Our table at Capital Indie Book Con!

Now’s the time that we look back at the numbers for June!

The Money Aspect

Amounts in parentheses are losses/expenses.
Hosting: ($17.06)
Stories: ($70.00)
Art: ($560.00)
Advertising: ($50.00)
Processing Fees: ($20.69)
Printing: ($382.44)
Donations: $42.71
Ad Revenue: $0.17
Online Book Sales: $45.14

Total: ($1,012.17)
QTD: ($3,316.81)
YTD: ($83.20)
All Time: ($14,227.23)

As per usual, I try to list costs for art and stories under the month that the stories run on the site rather than when I pay them. (This does not apply to special content, which does not have a specific month associated with it.) Sales are for sales when they take place, not when it’s actually paid out to me. I also cover Paypal expenses when paying authors and artists as best I can. Paypal has made it more difficult, so I’m not as capable of covering international fees.

Submissions

We were open to regular and exclusive submissions in June. We received 75 submissions (15 classified ads, 18 exclusives, and 42 regular submissions). Of these, we accepted 32 (42.67%). This amounts to all 15 classified ads (100%), 6 exclusives (33.33%), and 11 regular submissions (26.19%). All time acceptance rate is now 45%.

Followers

At the end of June:

Facebook: 1,357 (+15)

Twitter: 481 (+31)

Google+: 60 (+0)

Tumblr: 149 (+4)

Mailing List: 61 (+1)

Patreon: 11 (+0)

Traffic

June’s traffic went up. We had 1,215 visits, involving 826 users and 2,032 page views.

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Observations on the Emotions of Science

An essay by Dr. Nisha Gupta, as provided by Tamoha Sengupta
Art by Leigh Legler


Today, at breakfast, my sister and I had another fight over the old topic.

“Your problem, Nisha, is that you think about logic too intensely. Life is not numbers and codes and formulas, you know. It has emotions.” Saying this, she stormed off, her breakfast unfinished.

I gulped down my coffee and headed straight for my lab, where Amy was waiting. I pushed the morning argument from my mind. Until now, my little android had been a success in my food delivery service. Of course, a food delivery service was nothing new, seeing as people had less time to prepare their lunch nowadays and often left for their offices without them.

But my business came with a twist. Whatever Nisha said, science had helped a lot of people. My service was now inter-city, with Amy delivering food to people even at the far north of the state, 600 kilometers away, in a matter of minutes. I planned on improving Amy’s speed a little more, so that I could extend my services to inter-state.

I opened my laptop and typed in a few commands, activating Amy. There was a small beep and then Amy spoke.

“Good morning, Dr. Nisha.”

I smiled at my business partner. “Good morning to you too, Amy. Ready for another day?”

“Waiting to receive my orders, Doctor,” she said.

“All right, let’s see.” I turned back to my laptop, opened my customer page, and scanned the contents.

“Fifteen orders from Kolkata and three from Siliguri–our usual customers. Usual dishes. And oh–look Amy!” My eyes widened as my heart leapt with joy. “We have a new customer–ordering chapattis and pickle. I’ll feed his address into your program.”

“That’s nice. I’ll get the food ready right away.” Amy rolled out in her usual monotone and walked away to the kitchen I had built for her.

Observations on the Emotions of Science

I watched her go, remembering Rati’s reaction, when I had first shown Amy to her. My sister had taken one look at the android–who resembled my curly-haired, dark-eyed doll from childhood–and had given me a scowl.


To read the rest of this story, check out the Mad Scientist Journal: Summer 2016 collection.


Dr. Nisha Gupta obtained her PhD from University of Robotics. She has published dozens of papers on the future of robots and humankind together. She lives in Kolkata, India, with her strict but loving sister. Her fascination with robots coupled with her love for people led her to create Amy. She prefers a quiet life, working behind the scene to create more robots to make people’s life easier.


Tamoha Sengupta lives in India, but is happy to have visited many places on Earth and beyond at the expense of words.  She is a fresh graduate in engineering. When she is not writing, she spends most of her time reading or watching anime. Her fiction has appeared or is forthcoming in Daily Science Fiction, Acidic Fiction, and T. Gene Davis’s Speculative Blog. She tweets at @sengupta_tamoha.


Leigh’s professional title is “illustrator,” but that’s just a nice word for “monster-maker,” in this case. More information about them can be found at http://leighlegler.carbonmade.com/.


“Observations on the Emotions of Science” is © 2016 Tamoha Sengupta.
Art accompanying story is © 2016 Leigh Legler.

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Shark Does It Again!

An essay by Lex Nearhood, as provided by Amandeep Jutla
Art by America Jones


SharkLightning‘s surprise announcement was a classic Shark move: bold and puzzling in equal measure. The news caught a lot of journalists (including your humble correspondent) off-guard: SharkLightning would be the first mediator from a company that had heretofore never so much as hinted at an interest in interface tech. Exciting, sure, but why? And why now? The mediator space is already crowded–some might say saturated. Does the world really need yet another device? Shark seems to think so. After my week of quality time with SharkLightning, I believe I can see why.

If you’re reading this, there’s a good chance that you already use a mediator. That means SharkLightning is not for you. It’s not for me, either. It’s for the less tech-savvy people in your life, whoever they may be: your mother, your uncle, your husband, your cousin. Remember how I said that before last month’s announcement, everyone figured Shark had no interest in interface tech? Guess what: even in a post-SharkLightning world, in a very real sense, Shark still has no interest in interface tech. This is its particular genius.

Shark Does It Again!

SharkLightning doesn’t have an interface; it is one.

SharkLightning doesn’t have an interface; it is one. It’s so streamlined, so dead-simple, that when you put it on, it begins mediating without you even realizing what it’s doing. When you start using it, you might, as I did, make the mistake of looking for a config menu, or an intensity slider. These things don’t exist. There’s nothing but you, the net, and SharkLightning in between, hooked into both and silently doing its thing.


To read the rest of this story, check out the Mad Scientist Journal: Summer 2016 collection.


Lex Nearhood has been writing about mediators, interfaces, and networks since 2071. Her signature, accessible style earned her last year’s prestigious Pulitzer Prize for Basically Readable Technology Writing, and her famous product reviews are so renowned for their accuracy that the New York Times has called her “the lone voice of reason in the landscape of misinformation that is tech journalism today.” The New York Times is a wholly-owned subsidiary of Shark Corporation.


Amandeep Jutla is a writer and psychiatrist in Los Angeles. Visit him at www.amandeepjutla.com.


AJ is an illustrator and comic artist with a passion for neon colors and queer culture. Catch them being antisocial on social media @thehauntedboy.


“Shark Does it Again!” is © 2016 Amandeep Jutla.
Art accompanying story is © 2016 America Jones.

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Mad Scientist Runs Writing Contest!

Art by Sophia Johnson

Art by Sophia Johnson

A repeat offender at Mad Scientist Journal, David J. Wing has recently celebrated one year of his monthly writing competition at ZeroFlash. Winners of the monthly contest receive £10.

For details on this contest, click here!

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Stop Paying for Artificial Zzzzzzs, Dum-Dums

An essay by Macy Jones, as provided by Jacqueline Bridges
Art provided by Scarlett O’Hairdye


No one dies in their sleep anymore. It seems we gave it up, along with pesticides and artificial sugars. Sleep is now a four-letter-word, even though it’s five. Do you ever ask yourself, how’d we get here? Not when did sleep become something we could trade or store up, but when did we start paying for it? If I had to guess, I’d say it was around the time we started paying for water.

Now we trade currency for sleep, and sleep is getting expensive, really expensive. Government employees know that best. For years, they’ve received a cost of sleep raise as part of their benefits package, banking one hour for every year of service; however, with rising health care costs, that only equates to 20 minutes. Hardly a raise at all. The sleep market is spiraling out of control, and someone’s making a killing. Literally. Gone are the days of wasting away in an old folks’ home. We’ve relegated our final years to sleep pods, and it bothers no one, except for my grandpa. People like him, forever old, achy, and still kicking, refuse to pay for something they can get for free. For everyone else, we induce comas as they pass from one world to the next.

Stop Paying for Artificial Zzzzzzs, Dum-Dums

Now we trade currency for sleep, and sleep is getting expensive, really expensive.

My grandpa is always going on about how the world has changed, how he doesn’t recognize it. He’s not dying, but he’s not the epitome of health, so I don’t argue much. Besides, he knows what I do for a living.

I’m a sleep dealer. And I have a secret.


To read the rest of this story, check out the Mad Scientist Journal: Summer 2016 collection.


Macy works as a sleep dealer for an undisclosed sleep bank. She sleeps sixteen hours a day. When she’s not working (i.e., sleeping), you can usually find her running. Next month, Macy will compete in her sixteenth marathon.


Jacqueline Bridges works as a guidance counselor to junior high students, where she puts her Masters degree to work, and then some. She is new to flash fiction and reads it daily (even in the counseling office). Her students join her weekly for a writing club, where they impress her with stories about fairies, dragons, and golden retrievers. She has four publications to-date, with Touch Poetry, The Fable Online, 365 Tomorrows, and Short Fiction Break. She’s currently working on a young adult science-fiction novel, mostly void of fairies, dragons, and golden retrievers.


Scarlett O’Hairdye is a burlesque performer, producer and artist. To learn more, visit her site at www.scarlettohairdye.com.


“Stop Paying for Artificial Zzzzzzs, Dum-Dums” is © 2016 Jacqueline Bridges.
Art accompanying story is © 2016 Scarlett O’Hairdye.

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Now available: Mad Scientist Journal: Summer 2016! Get it while it’s hot!

Cover Art for Mad Scientist Journal: Summer 2016Mutant cephalopods, inter-species disease transmission, squabbling scientists. These are but some of the strange tales to be found in this book. Mad Scientist Journal: Summer 2016 collects twelve tales from the fictional worlds of mad science. For the discerning mad scientist reader, there are also pieces of fiction from Freya Marske, Maureen Bowden, and Samantha Cross. Readers will also find other resources for the budding mad scientist, including an advice column, horoscopes, and other brief messages from mad scientists.

Authors featured in this volume also include Jacqueline Bridges, Amandeep Jutla, Tamoha Sengupta, Joshua Steely, Zach Bartlett, Alanna McFall, James Stephen, Simon Kewin, Luke McKinney, Franko Stephens, Braddock Gaskill, Judith Field, David Wing, Loria Chaddon, Rick Tobin, Shane Landry, Kate Elizabeth, and Sean Frost. Art by Matt Youngmark, Scarlett O’Hairdye, Amanda Jones, Shannon Legler, Luke Spooner, and Errow Collins.

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They Never Blink

An essay by Dr. H. Arthur, as provided by Sean Stempler
Art by Dawn Vogel


[10.05]

I should have known that Reiner would be the one to hand me in. Always hated that old bastard. Reiner, and Greyman, too. The two of them, sitting in their Halloween-costume robes in that farce of a court. “The defense doesn’t need counsel,” they said. Corruption at its finest. I’m not saying I’m totally innocent–Colter deserved what he had coming, I’m not ashamed of what I did–but I would have at least fought them, tried to charm them. Now I’m here along with the scum of the earth, a bunch of unlucky souls at the wrong place and time, and a handful of people like me who pissed off someone who happened to have the keys. All for an (admittedly satisfying) bonfire and a couple holo disks.

There’s a more important question to ask: how did they get all of this funded? Who did Reiner get drunk enough to fund this little project of his? The thing is disgusting. Can’t even look at it–I’m having trouble sleeping. All those eyes, and none of them blink. Has to be a holo or something, all the scientists on their payroll put together couldn’t actually make it happen.

That thing they were planning wasn’t meant for this world, and they all knew it. I told them as much. Not worth the money and not worth our humanity. If they actually found someone willing to bring it into existence, there’s no saving me. Caged up, just waiting my turn. In the maw of a demon.

They’re taking me in for final processing in a couple hours. No one to send this to after Greyman did his usual cleaning up, so I’ll just take it into the cell for now. Something to hang on to once I get released, let some of the lovely people on the Council know what’s growing under their noses.

 

[10.30]

The worst part of this prison is the eyes. I can always feel them, unblinking, even when–especially when–I’m looking away. In the mirror when I’m washing my face, at my back over a tray of food, in my head when I’m trying to fall asleep. Always watching, always staring. Never blinking. It’s awful, really awful. I only get to sleep for a couple minutes here and there. It’s the eyes, always the eyes. You’re lying there, and closing your eyes–but you know they’re looking at you, you know they are–and you can’t sleep because they’re watching and who knows what they might be up to behind your back, who they’re telling about what you’re doing.

The eyes will always see you, here. Eric Daener, two doors down, he got desperate. He was making a move on this guard, going for the keys, you know? Like in those movies. The janitors are still cleaning up the blood. There was so much of it, it stained the concrete. Messing with the guards always ends so badly. Almost a month, and not even a riot, let alone anything more serious.

This goes way higher than Reiner and Grayman. Guards all have these incredible–incredibly painful, mind you–batons and exosuits and those visors I cleared last year with the Council. That’s some serious funding, deeper pockets than both of them put together. And whatever it is that keeps the monstrosity going 24/7, that has to be expensive. They must have entire farms set aside just to feed it.

They’ve got wardens massacring prisoners and that abomination in the middle of the cell tiers–they can’t hide this forever. I liked Eric, he always had the coolest stuff to talk about at lunch, always thinking about life in here and politics and stuff like that. He used to work for the Barrows & Fargo branch downtown, always tipping us off about penny stocks. I really liked having lunch with Eric.

I’m so happy the wardens closed his cell when they Revoked him. I would have been sick if they made me watch.

I’m not surprised that they ended up giving me more paper, though. I thought, for a second, that they would think I was up to something. The eyes are always watching, though. They never blink. They can see me writing this, now, which means I haven’t written anything bad yet, not bad enough. I don’t think I even could at this point. Can’t even think anything bad anymore–feels like my head is going to explode if I start. Never blinking. They’re in my head.

They Never Blink

The worst part of this prison is the eyes.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2016 collection.


Dr. H. Arthur is a renowned institutional scientist researching the most effective implementation of systems to be used for imprisonment and rehabilitation of criminal subjects. Dr. Arthur’s work has been acclaimed both by peers in the scientific community and by government agencies who have put these theoretical principles and aloof experimentation into hard practice.


Sean Stempler is a senior at Georgetown University, studying English and Film & Media Studies. Winner of the DC Student Arts Journalism Challenge, Sean writes about AI, robots, the internet, and all the other surreal machinery that keeps our world rolling. “They Never Blink” is his first piece of published short fiction.


Dawn Vogel has been published as a short fiction author and an editor of both fiction and non-fiction. Although art is not her strongest suit, she’s happy to contribute occasional art to Mad Scientist Journal. By day, she edits reports for and manages an office of historians and archaeologists. In her alleged spare time, she runs a craft business and tries to find time for writing. She lives in Seattle with her awesome husband (and fellow author), Jeremy Zimmerman, and their herd of cats. For more of Dawn’s work visit http://historythatneverwas.com/.


“They Never Blink” is © 2016 Sean Stempler.
Art accompanying story is © 2016 Dawn Vogel.

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The Confession of Lyle Timmons

An essay by Lyle Timmons, as provided by Jacob M. Lambert
Art by Errow Collins


There must have been something in the injection, some chemical that made them that way, like zombies, but without the macabre stipulations: no eating flesh, brains, or pathological virus spread through biting.

No, from what I’ve heard–in the news and papers–they’re something completely different, but this is just speculation, of course. The only people who’ve actually seen them are the ones who’ve died.

Convenient, huh?

Anyway, some have heard them coming. The reports say witnesses claim to have heard light knocking. KNOCK, KNOCK, KNOCK–pause–KNOCK, KNOCK, KNOCK. Each of these instances happen in five-minute intervals, then …

Well, I’m sure you’ve heard what happens next: the person who actually answers the door remains silent–no greeting, no nothing–and then wipes themselves out. I know this all sounds like some urban legend, and I wish that were true. Trust me, I’ve often wished just that. But I’m afraid the reality reflects the reports, and I can tell you from experience everything (and I mean eve-re-thing) is absolutely true, down to the very letter.

After all, I’m what you call living proof of what took place in that death chamber. I emphasize those two words to remind you–and myself–that I am in fact still living, though some wouldn’t call barricading themselves in the east wing of a monastery living. But fuck them, and you; it’s better than the alternative, tying a noose and dangling from the center beam of my cold, miniscule room like a coward (yes, I’ve thought about it a few times). Or, as some of my contemporaries, simply jump into oncoming traffic.

No, something in me keeps pushing forward, but the force of that push keeps getting weaker, weaker, and weaker. And I know, eventually, I’ll become complacent, like everyone else. I don’t know what it is, you know? Why I continue, especially when I know I’m no different from the others, but I have to try; what else am I doing? It’s not as if I can go back to work, not when that’s the reason why I’m here now.

And that brings this full circle … am I right?

Yes–back to the beginning.

The Confession of Lyle Timmons

As I said, there was something in the injection that made them that way. And when I say them, I mean the prisoners–the ones on death row. Remember that botched execution in Ohio a few years back, the one where the guy screamed something like “I can feel it burning–like fire. My whole body’s on fucking fire.”


To read the rest of this story, check out the Mad Scientist Journal: Spring 2016 collection.


Lyle Timmons received his B.A. in criminal justice and, after college, joined the U.S. Army, serving four years before receiving an Honorable Discharge. His last known occupation was with Alabama’s Department of Corrections (DOC), where he specialized in prison procedure–executions. According to the state department, Mr. Timmons’ status is ON ADMINISTRATIVE LEAVE.


Jacob M. Lambert has published with Flame Tree Publishing, Third Flatiron, and Midnight Echo Magazine. He lives in Montgomery, Alabama, where he teaches English Composition and is a slush reader for THAT Literary Review. When not writing, he enjoys time with his wife, Stephanie, and daughter, Annabelle.


Errow is a comic artist and illustrator focused on narrative work themed around worlds not quite like our own. She spends her time working with her partner on The Kinsey House webcomic and developing other comic projects when she’s not playing tag with her bear of a cat. More of her work can be found at errowcollins.wix.com/portfolio.


“The Confession of Lyle Timmons” is © 2016 Jacob M. Lambert.
Art accompanying story is © 2016 Errow Collins.

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