Mrs. Hobgobble’s Grade 5 Troll Homework: Tooth Fairy Experiments

An essay by Johnny Trollson, as provided by Sarina Dorie
Art by Errow Collins


Lab Partners: Johnny Trollson, Trog Pixiestomper, and Glurp Swampbottom, Grade 5

Biology Class: Tooth Fairy Experiments

 

Purpose:

To determine if a tooth fairy survives after her wings are torn off.

 

Research:

Because tooth fairies store magic in their wings, tearing them off will render them helpless and turn them mortal. Mortals are susceptible to death. According to the textbook, wing removal is painful and kills some species of immortals. Others survive for brief amounts of time, lasting no longer than a hundred years. That is, if a troll doesn’t intervene first.

 

Hypothesis:

The tooth fairy will die a slow and painful death if her wings are removed. We will take joy in her suffering. At least, my lab partners will.

Art for "Tooth Fairy Experiments"

Trog and Glurp don’t want to ever see another tooth fairy for the rest of their lives. But that may also have had to do with the avalanche of teeth that came crashing down on top of them.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2017 collection.


Johnny Trollson is a fifth-grade student at Snorgwog’s School for Trolls. After being kidnapped from his family by a wicked “fairy godmother,” he has finally been returned to his rightful family, where he spends his leisure time playing Kick the Head off the Leprechaun and eating humans. At least, that’s what his parents tell the neighbors.


Sarina Dorie has sold over 100 short stories to markets like Daily Science Fiction, Magazine of Fantasy and Science Fiction, Orson Scott Card’s IGMS, Cosmos, and Sword and Laser. Her stories and published novels have won humor and Romance Writer of America awards. Her steampunk romance series, The Memory Thief, and her collections, Fairies, Robots and Unicorns—Oh My! and Ghosts, Werewolves and Zombies—Oh My! are available on Amazon.

By day, Sarina is a public school art teacher, artist, belly dance performer and instructor, copy editor, fashion designer, event organizer, and probably a few other things. By night, she writes. As you might imagine, this leaves little time for sleep.

You can find info about her short stories and novels on her website: www.sarinadorie.com


Errow is a comic artist and illustrator with a predilection towards the surreal and the familiar. She pays her time to developing worlds not quite like our own with her artist fiancee and pushing the queer agenda. She probably left a candle burning somewhere. More of her work can be found at errowcollins.wix.com/portfolio.


“Mrs. Hobgobble’s Grade 5 Troll Homework: Tooth Fairy Experiments” is © 2017 Sarina Dorie
Art accompanying story is © 2017 Errow Collins

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A Gift of Life and Death

An essay by Mira Delmer, as provided by Caroline von Schmalensee
Art by Leigh Legler


Last night, everything changed. I’d got to the bit where I tell Roland about how I met his father when, out of the deep blue, he said, “But Kraken’s a myth. He’s not real.”

He’s six–it could have happened at any time. I knew one day he’d start to question my stories. There’s no room for Kraken on land; humans don’t believe in such creatures.

My face went cold and tingly, my eyes filled with tears. “He was mythic, alright,” I said, voice too deep in my throat, “but not how you think. No one has caught him on camera, sweetling, that doesn’t mean he doesn’t exist. Mm. Mythic. That’s the word.”

I went on with the story, but Roland wasn’t really listening, and I sank into a sea of memories, quietly mourning the boy he had been and the telling of our tale. I had lost my son to a world I have no place in. “He doesn’t exist”–what a thing to say about your father. The implication is clear: I, as I was when we met, didn’t exist either. I’m a liar.

When Roland was younger, he stuck to the script that proved we belonged not to the world outside, but to each other.

“So how did you meet my father?” he would ask.

No, that’s not where the tale starts. It goes like this:

“Once upon a time,” I’d begin, “there was a mermaid who lived in the deep, deep sea. That was me.”

Art for "A Gift of Life and Death"

It’s transparent and cool to the touch. Underneath the surface, four chambers show, each opening out into a tube on the surface. It’s a heart. I’ve told Roland it’s the heart of a sea-serpent, a ferocious foe.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2017 collection.


Six years ago, Mira Delmer was banished from the Oyster Court by her father for marrying Kraken. Since her exile, she’s been building a home for herself and her son, Roland, on land. Mira has difficulty fitting into human society but does her best to ensure Roland will grow up a happy, normal boy. She’s currently exploring employment opportunities as a professional story teller.


Caroline von Schmalensee lives in Edinburgh, Scotland. A technical writer by day, she writes fiction in her free time. Caroline writes urban fantasy and makes forays into fairytale and horror. Her short stories can be found in New Writing Scotland, The Seven Wonders of Scotland, The Scotsman, FREAKCircus, and online. She’s working on her first novel.

Caroline writes about writing at carolinevonschmalensee.com.


Leigh’s professional title is “illustrator,” but that’s just a nice word for “monster-maker,” in this case. More information about them can be found at http://leighlegler.carbonmade.com/.


“A Gift of Life and Death” is © 2017 Caroline von Schmalensee
Art accompanying story is © 2017 Leigh Legler

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Stheno

An essay by Stheno the Gorgon, as provided by Marnie Azzarelli
Art by Luke Spooner


“Brave soul, walking by herself in this neighborhood at night,” the passenger in a gray mini-van commented to her driving friend as I crossed the intersection in front of them. They are more afraid of me than I am of them. I smiled, holding my hands within the confines of the dark, hooded sweatshirt I always wore, shivering a little to show how cold I was. It only mattered if they perceived I was cold, even if my breath didn’t come out from under my hood in a puff of body heat.

I tried to walk too quickly for anyone to truly notice. But I needed someone to see. That lady driving home with her friend noticed. She was concerned, and a little disappointed that I would think walking around the South Side at night was a sound idea. Her worry and inevitable twinge of envy were unfounded on me. I have seen so many women like her, all the same, all scared of the endless dark sky that created shadows where the streetlights ended, hiding what needed to be hid from view. It is their enemy, and like all evil, there was an irresistible draw that tried to hide away.

I do not blame them. I was just the same once, but time has a habit of forgetting stories like mine. I walked farther down cracked sidewalks where weeds found new life in every split. The convenience store on Mulberry was open, its fluorescent lights cutting out a rectangular shape so cleanly against the night that the inside of the store looked like a living picture framed in black. The man behind the counter was surrounded by a Plexiglas cage, while more people in sweatshirts and thick coats picked up snacks and cigarettes. I crossed the street before I got too close to the glare, and made my way down the block.

Those women were right to rapidly drive away. The South Side functioned only as a part of town to pass quickly through, especially if you didn’t belong on its streets. Most of the small shops that dotted the road I traveled down were either abandoned or fronts for many illicit practices, and “shady” didn’t truly capture the characters that walked around at night. It is dangerous for even the ones used to the place, but the disappearance of many girls had been its most recent issue. They were always out walking at night, when it was too cold and too dark for any act of bravery. They would be followed as they traversed the block and stolen at the corner, or chased until they were found somewhere else.

Art for "Stheno"

The face I wear is not real. I peeled it off piece by piece. The full pink lips, a well-shaped nose, round supple cheeks, large doe eyes, all fake. I shook it all off so he could see me.


To read the rest of this story, check out the Mad Scientist Journal: Spring 2017 collection.


Stheno was born in the caverns of Mount Olympus and is the eldest sister to Eurayle and Medusa. She was transformed into an immortal Gorgon when Medusa was assaulted by the sea God Poseidon in the Temple of Athena. After Medusa was beheaded by Perseus, Stheno fled from Greece to travel the world. At some unknown time, she finally settled in the south side of a small Pennsylvania city where she resides in a rundown hotel and protects it from any threat that crosses her path.


Marnie Azzarelli’s short work has appeared in Clever Girl magazine and Marywood University’s literary publication, The Bayleaf. She has co-authored a book entitled Labor Unrest in Scranton, which was published in 2016, and writes plays for local theater productions. She holds a B.A. in English from Marywood University, writes scary stories that only scare herself, and reviews TV shows that keep getting cancelled. Azzarelli currently lives with two cats, two parents, and one dog in Scranton, Pennsylvania.


Luke Spooner, a.k.a. ‘Carrion House,’ currently lives and works in the South of England. Having recently graduated from the University of Portsmouth with a first class degree, he is now a full time illustrator for just about any project that piques his interest. Despite regular forays into children’s books and fairy tales, his true love lies in anything macabre, melancholy, or dark in nature and essence. He believes that the job of putting someone else’s words into a visual form, to accompany and support their text, is a massive responsibility, as well as being something he truly treasures. You can visit his web site at www.carrionhouse.com.


“Stheno” is © 2017 Marnie Azzarelli
Art accompanying story is © 2017 Luke Spooner

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Now Available – Mad Scientist Journal: Spring 2017

Wing removal from tooth fairies, discoveries of insect history, and Romantic poetry written by automatons. These are but some of the strange tales to be found in this book.

Mad Scientist Journal: Spring 2017 collects thirteen tales from the fictional worlds of mad science. For the discerning mad scientist reader, there are also pieces of fiction from Constance Flux, Shanan Winters, and Bobby Riahi. Readers will also find other resources for the budding mad scientist, including an advice column, horoscopes, and other brief messages from mad scientists.

Authors featured in this volume also include Marnie Azzarelli, Caroline von Schmalensee, Sarina Dorie, Dantzel Cherry, Edward Newton, Maureen Bowden, Hamilton Perez, Judith Field, E. B. Fischadler, Bobby O’Rourke, Rebecca Siân Pyne, Jon Hartless, Stuart Webb, Amanda Partridge, Andrew Browning, Andy Brown, Kate Elizabeth, and Torrey Podmajersky. Art by Luke Spooner, Errow Collins, Amanda Jones, Shannon Legler, Justine McGreevy, and Scarlett O’Hairdye.

Available at:

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Grimalkin and Hound

An essay by May Hayashi, as provided by Laura Duerr
Art by Justine McGreevy


“So! You’re May, right? What do you do?” Brianne asks. She’s standing a little too close, hanging on to every word I say, smiling nonstop like she’s in conversation with her very best friend.

I manage to not roll my eyes. Weredogs.

She latched onto me the moment I arrived at this networking event, identifying me (correctly) as an introvert who did not want to be at said networking event and assuming (incorrectly) that I just needed someone to talk to. Her name is Brianne, and I expect her shapeshifter form is a golden retriever or something similarly friendly and nonthreatening.

I haven’t been able to tell if she knows I’m also a ‘shifter. The uncertainty makes me more anxious. Plus, since this is the eighth time tonight someone’s asked me what I do, I feel an increasing urge to answer truthfully:

“I turn into a housecat and prowl the streets hunting evil spirits.”

“Oh, you’re a ‘shifter too? Cool!”

“Technically, I’m a necromantic ailuranthrope. You’re a golden retriever, right?”

“Oh my God, how did you know?”

Casual sip from drink; present business card; profit.

If only.

“Right now I’m a barista,” I say, “but I’m looking for admin work.”

“Oh my gosh. I was a barista all through college, and I loved it,” Brianne gushes. “You meet so many interesting people!”

I still can’t figure out if she’s identified me or not. Subtle mockery of a cat ‘shifter’s introversion is a time-honored pastime of dog ‘shifters. We make fun of them in return, mocking their simple work and light responsibilities (they’ve fallen far from the tree of, say, their Armenian ancestors, who could resurrect dead warriors by licking their wounds), but we do so privately, to the one or two associates we work most closely with. I haven’t interacted with a dog ‘shifter in years, but it’s likely Brianne hasn’t run into any cat ‘shifters recently, either. There aren’t very many cynanthropes in the city because it’s harder for them to move around unnoticed, and ailuranthropes keep to heavily populated areas, where our prey is more common. Weredogs keep people happy; my sisters and I keep them safe.

Art for "Grimalkin and Hound"

The cat minds it less. The cat, for all its solitude, has an aloof confidence that’s unfazed by noise or crowds–or lack thereof. So I allow the cat to guide me, letting its unfathomable senses lead me towards my quarry.


To read the rest of this story, check out the Mad Scientist Journal: Winter 2017 collection.


May Hayashi is a necromantic ailuranthrope and admin assistant living in an overpriced studio in Snoqualmie, WA. She holds a BA in Mass Communication and studied necromancy under noted (within ‘shifter circles, anyway) Seattle ailuranthrope Ursula Alexander. She partners with Brianne on a regular basis, fighting evil spirits all along the I-90 corridor.


Laura Duerr is a writer, social media coordinator, gamer, and reader living in Vancouver, WA, with her husband, a rescue dog, and more cats than she’d like to admit. She has a BA in Creative Writing from Linfield College. Her other work can be seen in Devilfish Review and on her blog, Ruby Bastille.


Justine McGreevy is a slowly recovering perfectionist, writer, and artist. She creates realities to make our own seem slightly less terrifying. Her work can be viewed at http://www.behance.net/Fickle_Muse and you can follow her on Twitter @Fickle_Muse.


“Grimalkin and Hound” is © 2017 Laura Duerr
Art accompanying story is © 2017 Justine McGreevy

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That Man Behind the Curtain: February 2017

Photo of Dawn with the Mystery Soda Machine

Here’s Dawn looking very disappointed with her purchase from Seattle’s infamous Mystery Soda Machine.

February was spent plugging our next anthology Kickstarter. (And we’re now open to anthology submissions.) This meant a spike in advertising costs last month.

The Money Aspect

Amounts in parentheses are losses/expenses.
Hosting: ($17.06)
Stories: ($70.00)
Art: ($224.23)
Advertising: ($519.00)
Processing Fees: ($10.23)
Printing: ($33.13)
Donations: $34.71
Ad Revenue: $0.48
Online Book Sales: $8.88
Physical Books Sales: $87.00

Total: ($782.58)
QTD: ($1,090.05)
YTD: ($1,090.05)
All Time: ($20,331.93)

As usual, I try to list costs for art and stories under the month that the stories run on the site rather than when I pay them. (This does not apply to special content, which does not have a specific month associated with it.) Sales are for sales when they take place, not when it’s actually paid out to me.

The advertising is due to the heavy push for the Kickstarter. It was a little touch and go with the funding, so advertising got a bit heavier as the month dragged on. We haven’t seen online sales this low since 2014. I can only assume that it is related to the heavy push for the Kickstarter.

Submissions

We were closed to submissions in February. All time acceptance rate is 44.2%.

Followers

One of the unplanned (though unsurprising) side-effects of the push for the Kickstarter is that most of our social following spiked significantly. (Basically everything except Google+.) Most months we maybe pick up 2 or 3 new followers. At the end of February, we stood at:

Facebook: 1,589 (+166)

Twitter: 509 (+18)

Google+: 63 (+0)

Tumblr: 215 (+18)

Mailing List: 73 (+7)

Patreon: 14 (+2)

Traffic

In February, we had 908 visits with 724 users and 1,599 page views. Our peak day was 156 visits.

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The Physics of Decluttering

Keynote address presented by Doctor Seeya Laterbro
Transcription services provided by Lisha E. Goldberg
Art by Dawn Vogel


Good morning. I am delighted to speak to all of you today at the International Symposium for Highly Frustrated Physicists. It’s been a wonderful conference, so far. Although I have to admit, I’m getting a little too old for the “Bodies in Motion Dance-a-thon.” Anybody else feeling a little sore this morning?

(Transcription note: Audience claps and laughs.)

And I’m definitely swearing off any beverage named “Big Bang” or “Cosmic Inflation.”

(Transcription note: More laughter and applause.)

Well, I’m happy to see that most of you have already prepared yourselves for today’s “Nikolai Tesla Look-Alike Contest.”

(Transcription note: Applause.)

Along those lines, let me give a shout out to Professor Mae Hemm for that gorgeous and fully functional Tesla Coil that she’s sporting in her hair.

(Transcription note: Applause and whistles.)

Yes, bravo Doctor Hemm! Speaking of Tesla, I want to share with you a problem that has confounded good old Saint Nick, along with all the other greats in our illustrious field. This issue began with the invention of that utilitarian depository receptacle known to modern science as the armarium repono, or, as some of you prefer to call it, the humble storage closet.

Because no one has ever actually named this phenomenon, I have taken it upon myself to designate it the Laterbro Paradox. In layman’s terms, the phenomenon works like this. You take a closet that is stuffed with stuff. You remove every piece of stuff from the closet. You dispose of one-half to three-quarters of the stuff. You then fold, organize, and return the remaining stuff to the closet. What happens? The remaining stuff no longer fits inside the closet.

The Physics of Decluttering

Look familiar? A closet so full that as soon as the graduate student completes his assignment, unidentified falling objects bonk him on the head and knock him unconscious.


To read the rest of this story, check out the Mad Scientist Journal: Winter 2017 collection.


Doctor Seeya Laterbro graduated with a double doctorate in Physics and Chemistry from MIT’s prestigious correspondence program, Prank U. Laterbro received worldwide recognition with the publication of his first book, You don’t have to look like Einstein to be a Physicist (but it definitely helps in a job interview).

Dr. Laterbro was recently selected to serve aboard the International Space Station, where he will host NASA’s new television series, Far Flung Fashionistas.

In his free time, Dr. Laterbro enjoys hanging out with his llama and knitting sweaters with his protege, Ms. Oopsie Daisy.


Lisha Goldberg started her professional career as a technical writer, then switched to teaching science to elementary children. She enjoys writing short stories and poems. Her hobbies include playing piano, assisting at a riding school for special needs children, and creating artwork with mosaic tiles.


Dawn Vogel has been published as a short fiction author and an editor of both fiction and non-fiction. Although art is not her strongest suit, she’s happy to contribute occasional art to Mad Scientist Journal. By day, she edits reports for and manages an office of historians and archaeologists. In her alleged spare time, she runs a craft business and tries to find time for writing. She lives in Seattle with her awesome husband (and fellow author), Jeremy Zimmerman, and their herd of cats. For more of Dawn’s work visit http://historythatneverwas.com/.


“The Physics of Decluttering” is © 2017 Lisha Goldberg
Art accompanying story is © 2017 Dawn Vogel

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The Inverse Polygraph: A New Device for Implanting Thought Patterns

An essay by Professor Josef Austin, as provided by Candida Spillard
Art by Luke Spooner


(Paper to have been submitted by Professor Josef Austin of Harvard, currently on secondment to the U.K. Ministry of Defence, to “IEEE Transactions, Medical Devices,” but withdrawn having been found to contain Classified material. This copy provided by Candida Spillard, a former volunteer subject of Professor Austin’s, who came across it while sorting paper for recycling and is releasing the findings for the Public Good.)

Abstract

This paper presents the Inverse Polygraph, a new device for use in Psychotherapy or other fields in which new patterns need to be introduced into the minds of unwitting subjects.

Appearing as a polygraph or “lie detector,” the device includes an extra pair of sets of electrodes that fit on the subject’s temples and deliver stimulant electrical pulses to specific locations in the brain.

We report success in implanting a specific idea into the brains of a large number of British subjects.

Introduction

Polygraphs, more colloquially known as “lie detectors,” are regularly used in security vetting and police questioning. For this reason, subjects do not generally find their application threatening or intimidating; indeed, a good investigator should be able to put a subject at their ease so as to avoid the possibility of “false positive” readings.

The Inverse Polygraph is a conventional “passive” (i.e., receive-only) polygraph with an extra, active functionality. This takes the form of a pair of hand-sized modules that fit over the subject’s temples and, using conventional phased-array antenna technology, deliver electromagnetic stimuli to specific locations in the brain.

In this way, “memories” and associations can be implanted into subjects without their knowledge, while they believe themselves to be undergoing straightforward questioning.

Art for "The Inverse Polygraph: A New Device for Implanting Thought Patterns"

Our initial tests consisted of asking a large number of volunteer subjects to recall a specific event, namely voting for the party of their choice at a general election, while E.E.G. traces were recorded. Subjects were told that the aim of the research was to find out the extent to which weather conditions influenced voting behaviour.


To read the rest of this story, check out the Mad Scientist Journal: Winter 2017 collection.


Professor Josef Austin was born in Austria and came to the United States at the age of six with his parents. At the age of eight, he successfully trained a spider to obey simple prompts such as “Forward March!” before removing its legs and concluding after observing its subsequent behaviour that spiders hear with their feet.

A stellar career in experimental psychology was the natural next step. However, little is known about his work, owing to most of its being carried out in conditions of strict secrecy.


Candida Spillard is a lapsed physicist, having researched for over twenty years into the effect the weather has on radio wave reception. She was also a broadcasting technician back in the days when video machines were too heavy to lift. She has a passion for all things environmental, self-sufficient, or just plain eccentric. She has sometimes been used for scientific experiments, but has never knowingly come to harm. Except the occasional migraine …


Luke Spooner a.k.a. ‘Carrion House’ currently lives and works in the South of England. Having recently graduated from the University of Portsmouth with a first class degree he is now a full time illustrator for just about any project that piques his interest. Despite regular forays into children’s books and fairy tales his true love lies in anything macabre, melancholy or dark in nature and essence. He believes that the job of putting someone else’s words into a visual form, to accompany and support their text, is a massive responsibility as well as being something he truly treasures. You can visit his web site at www.carrionhouse.com.


“The Inverse Polygraph: A New Device for Implanting Thought Patterns” is © 2017 Candida Spillard
Art accompanying story is © 2017 Luke Spooner

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Review of The Shattered Queen by Jaym Gates

Cover for The Shattered QueenJaym Gates’s collection, The Shattered Queen & Other New Mythologies: A Broken City Miscellany (Falstaff Books, 2016), is a collection of 26 short prose pieces, some of which are more lyrical or poetic than story, and others that create entire worlds in the span of scant few pages. Of the pieces, half are reprints, while the other half are new to this collection.

While all of the pieces are beautifully written, some of the stories stuck with me longer than others. “First Step, Last Breath” tells the story of explorers in over their heads. Using a parallel structure, the reader slowly comes to understand more and more of the truths behind this story, and its inevitable ending.

Two of the stories, “I Am Made of Every Color” and “The Greatest Hunger,” struck me as particularly lovely. Both are darker stories, and the first was especially haunting. On the other hand, “Co-Exist” had me laughing with the opening line, and presented an interesting alternative to the usual zombie apocalypse fare.

My overall favorite, though, was “Lord of Heaven and Earth,” a post-apocalyptic tale with dragons. This story unfolded slowly and delicately, offering an ever growing view of what had happened, while packing in plenty of action as well.

More than anything, I was struck by the beauty of Gates’s use of language. Even in the most straightforward of stories, the word choices were brilliant. The lyricism of the first few pieces in the collection never goes away, it just becomes more refined and interwoven with the details of the many worlds that Gates has created through her stories. If you love reading well-crafted, beautiful prose, this is the collection for you!

You can pick up your own copy of The Shattered Queen here.

The publisher provided us with a free copy of this publication in exchange for an honest review.

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The Snakes or the Humans?

An essay by Professor Chester Willis, as provided by Calvin Demmer
Art by Leigh Legler


How does one ask forgiveness for potentially killing the entire human race? That is a question I have pondered all morning. Would you believe me if I said it all started because of a simple request from Clara, my blue-eyed niece? The internal question lost its appeal for an answer by lunch. Still I feel the need to write something down, maybe just as catharsis for me, maybe just to stave off boredom, as I do not intend for anyone to read my scribbles.

Two years ago, summer decided to leave early one day, but not without taking things that did not belong to it. One of these things was my nephew, Timothy. He’d been playing catch by himself under the retreating rays of sunlight when a snake appeared from out one of the bushes in his yard. Being young and innocent, he approached the creature, only for it to strike.

Timothy’s parents found him under an hour later, inert, pale, no heartbeat, no breathing. By the time he’d arrived at the local hospital, Timothy had passed away.

At his funeral, I wandered away from the proceedings to collect my thoughts, only to feel a small hand grip my own.

“Uncle Chester, where are you going?” Clara, Timothy’s sister, asked.

“I’m just taking a moment,” I said.

Clara smiled. It was not a smile of joy, but rather one of understanding, but before I could sketch the image in my mind, it was gone.

“Everything will be okay,” I said, knowing the words were not true, nothing could bring her brother back, but I felt like I needed to say something, and it was all an aging mind could find.

“Uncle Chester, may I ask you to do something?”

“Sure, anything,” I said.

Clara smiled as before. “Kill all the snakes, for me?”

Clara’s request was not one of fantasy. Though most will know me as a boring biology professor, I have made money on the side with some other products–mostly illegal poisons I have concocted in my basement to help farmers protect their crops from insects.

Clara, who knew me well, and who was also one wise beyond her years, knew I’d begun experimenting to target certain insects. I didn’t want to harm any insect or other creature that stumbled upon the field in innocent curiosity, so through many sleepless nights of research, I began to prepare poisons that targeted certain species.

The Snakes or the Humans?

If it is found, I don’t know who you are, reader, or how you came to possess that which is mine, but know this: your life hangs by a thread.


To read the rest of this story, check out the Mad Scientist Journal: Winter 2017 collection.


Professor Chester Willis was a biology professor until he resigned after the death of his brother and sister-in-law in a tragic car accident. Not much is known of his actions or whereabouts since, but it is believed he moved to the state of Nevada to be closer to his niece, who survived the aforementioned car accident but remains in a coma.


Calvin Demmer is a crime, mystery, and speculative fiction author. When not writing, he is intrigued by that which goes bump in the night and the sciences of our universe. His work has appeared in a variety of publications, including Sanitarium Magazine, Morpheus Tales, and Mystery Weekly Magazine.


Leigh’s professional title is “illustrator,” but that’s just a nice word for “monster-maker,” in this case. More information about them can be found at http://leighlegler.carbonmade.com/.


“The Snakes or the Humans?” is © 2017 Calvin Demmer
Art accompanying story is © 2017 Leigh Legler

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