I Didn’t Break the Lamp: Interview with Matthew R. Davis

(Photo credit: www.facebook.com/RedWallflower)

Matthew R. Davis has appeared in Mad Scientist Journal and Selfies from the End of the World, and we’re pleased to have him back with a story in I Didn’t Break the Lamp!

DV: Tell us a bit about yourself.

Matthew R. Davis: I’m based in Adelaide, South Australia, where the wild kangaroos roam and only Mad Max and Crocodile Dundee stand between us and hordes of deranged psychopaths and murderous wildlife. (I’ll warn you right up front to not believe everything you read.) I recently moved into a house where I have a lot of history: I’ve rehearsed and recorded with bands here, began accruing professional fiction acceptances during a previous stay, and have thrown up in at least three of the rooms. I’d direct you to my blog if you’re still curious: matthewrdavisfiction.wordpress.com.

DV: What inspired you to write “A Lost and Lonely Fire” for I Didn’t Break the Lamp?

MRD: I don’t recall any particular inspiration other than wanting to set a story in a second-hand bookstore. I wrote the story for an anthology call five years ago, but it was full of plot holes that I couldn’t fill to my satisfaction, so I put it aside. When I came back to it, I realised I could magnify the problematic aspects and make them a part of the narrative, at which point it took a turn toward the metafictional.

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Review of The Flight Girls

When I first got a copy of The Flight Girls by Noelle Salazar (Mira, 2019), the author warned me that some of the initial reviewers hadn’t really liked that this was a romance novel “disguised” as historical fiction. My perception of the story, however, is that this is a historical fiction novel with a romantic subplot. And while it isn’t a work of speculative fiction, it’s a wonderful novel following the career of one of the WASPs–the Women’s Airforce Service Pilots–during the years preceding and following World War II.

The main character, Audrey, begins as a flight instructor for the U.S. military in Hawaii in 1941. If you’re familiar with the history of the United States’ involvement in World War II, you won’t be surprised to learn that her time there ends after the attack on Pearl Harbor late that year. But after a period of time spent mourning the loss of friends and colleagues, Audrey signs up to ferry planes for the U.S. military as a part of the WASPs program. Along the way, there are friendships, love, and loss.

The Flight Girls covers a piece of history that has not received much attention as of yet, but Noelle Salazar is doing her part to end that neglect. The women flying planes during World War II, when male pilots were fighting overseas, contributed much to the war effort. Their story will be of interest to those who want to learn more about women’s contributions to history and little-known pieces of World War II’s history. The book is widely available online and in many retail locations.

The author provided us with a free copy of this novel in exchange for review consideration.

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I Didn’t Break the Lamp: Interview with E.D.E. Bell

Today, we’re talking with E.D.E. Bell, author and publisher, who has a story in I Didn’t Break the Lamp!

DV: Tell us a bit about yourself!

E.D.E. Bell: I am a fantasy author and small press editor in Ferndale, Michigan, just outside of Detroit. I arrived here by a winding road, leaving my career in government-related engineering work to do something I think is really important to our collective and individual growth and healing: create and promote art. I enjoy running our small press with my partner, best friend, and spouse–Chris Bell, and with the support and patience of our three children and resident cat. As a vegan and an often-thinker, I like to write in ways that either inspire compassion or challenge our views on harm, repression, and violence. While I’ve always enjoyed big epic fantasy, I’ve developed a real passion for short fiction. It is a tremendously powerful art form.

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Fiction: A Catchy Little Tune

From the blog of Arthur Plague: singer/songwriter, creative genius (lapsed), as provided by Alan Bennington
Art by Scarlett O’Hairdye


Saturday: Farewell Abbey.

Well, what a hoot! Finally arrived in this God-forsaken place just after two, to find it’s not so bad after all. I booked it a while ago, just after my latest diagnosis. I reckon it should get my creative juices flowing if nothing will, so I decided to give it a fortnight. After all, if the doctors are right, I’ll be pretty much deaf by then, anyway.

So I checked into this monastery-come-retreat and was greeted like an old mate by the head honcho, Bernard. They all wear snazzy robes and stuff, but he’s got jeans underneath and he’s basically just some sort of hippie throwback with attitude. Middle-aged and loving every minute of it. Sickening.

And do you know what? They know all about me. All my chart hits and misses. My run in with drugs and the dark side. Obviously it’s no secret, but it was a bit of a shock to have this grey-beard from yesteryear waxing lyrical about my back catalogue, even quoting bits of “Siren Song” (his favorite) at me. But the amazing thing is they think they can help me write my “magnum opus” before the old lug-holes pack up completely.

They’re a weird lot–“A fusion of religions and cultures from east and west,” it says in the blurb. They have a “creed based on music, meditation, and mantra.” Bernie soon got busy showing me around. It’s like a mini-version of Hogwarts but with all mod cons. The worst thing is no cell-phone reception! I know it’s deepest Northumberland, but really. Thank heavens they have good wi-fi, so I’ll be able to keep you up to speed as my final masterpiece takes shape. I hope.

Photo of a sound board with images of DNA strands and chemistry equipment above it.

It’s 2 a.m., and I’ve invaded the lab!


To read the rest of this story, check out the Mad Scientist Journal: Summer 2019 collection.


Arthur Plague is, or rather was, a famous singer, composer, and self-confessed technophile. Finally admitting to himself that he is going deaf, he is desperate to write a “big song” that will be his final legacy. Any means must surely justify the ends!


Alan Bennington is a retired IT consultant who now teaches a few bits of English and mathematics. This is his first attempt at writing prose fiction.


Scarlett O’Hairdye is a burlesque performer, producer and artist. To learn more, visit her site at www.scarlettohairdye.com.


“A Catchy Little Tune” is Copyright 2018 Alan Bennington
Art accompanying story is Copyright 2019 Scarlett O’Hairdye


This story originally appeared in Ariel Chart and Scribble.

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Strange Science: Aqua Regia

Dissolution of gold in aqua regia

Daniel Grohmann (https://commons.wikimedia.org/wiki/File:Dissolution_of_gold_in_aqua_regia_(I).JPG) CC-by-sa-3.0 (https://creativecommons.org/licenses/by-sa/3.0/)

Our story this week uses aqua regia to transport gold unnoticed. But that’s not a fictional element of the story! Aqua regia is more commonly used to remove impurities from gold, but it’s entirely possible for gold to be dissolved in acid and then restored later.

This article gives a great explanation of what aqua regia is, why it’s called “royal,” and the chemical processes that take place when gold is dissolved. If you’re hoping to restore your dissolved gold (or purify gold that’s mixed with other elements and/or impurities), you’ll need to look at this article, which explains how to turn aqua regia back into gold.

Both processes are dangerous, as they involve SERIOUS acid, so they’re not recommended for at-home experimentation. But the process is fascinating to learn about, even if you won’t be trying it out yourself!

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I Didn’t Break the Lamp: Interview with K. K. Llamas

Cover for Sweet Girlfriends Coloring Book by K. K. LlamasToday, we’ve got another interview with one of our I Didn’t Break the Lamp authors. K. K. Llamas is a newer author, but we’re so delighted to have her included in this collection!

DV: Tell us a bit about yourself!

K. K. Llamas: I’m a Filipino-American with schizoaffective disorder. My condition is a bit difficult to manage, so a good portion of my income comes from artistic endeavors, rather than traditional work. Right now I do a lot of watercolor.

DV: What inspired you to write “Carbon Transfer” for I Didn’t Break the Lamp?

KKL: I submitted on a lark, to be frank. I found out about the anthology and wrote it in an evening. The roommate situation is an amalgamation of former apartments and bad roommate stories from an old Facebook group I used to frequent. As for the more supernatural aspect, it draws partly from my own experiences with my mental illness.

DV: The characterization you give the two flatmates in your story feels very realistic and whole, even in a story with a relatively short word count. What do you think was the key to painting such a clear picture of these two young women with a limited amount of words?

KKL: Living with others tends to be a mixed batch; sometimes it’s great, and sometimes you’re sharing a small box with strangers. I thought about what makes a bad roommate, and not cleaning is the top of the list for a lot of people, followed by personality. It’s essentially distilling favorable and unfavorable traits and focusing on only details involving two contrasting personalities trapped in a glorified tuna can. Because the story has a confined space, in both word count and setting, I left everything out that could not fit.

DV: Without giving too much of your story’s plot away, the protagonist of your story treads a fine line between the real world and something else. Would you say that the “imaginary” acquaintance in your story is more real or more imaginary?

KKL: I left it open to interpretation–it could be entirely a fabrication of a young woman’s loneliness, or it could be something else entirely. I feel that the modern world has filed away a lot of the unknown’s teeth with science, so for me, it’s more real than not.

DV: If you had an imaginary friend growing up, what was their name, and what were they like?

KKL: I had one whose name I forgot. Jon? Jonathan something. He used to ride on top of the car when all the seats were occupied. I don’t remember much of him other than that he was very kind.

DV: What’s on the horizon for you?

KKL: I don’t write often, but this anthology has inspired me to submit to more. Right now I’m working on illustrating a graphic novel for a client, and by next year I’d like my own comic.

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Review of Claiming T-Mo

Cover art for Claiming T-MoClaiming T-Mo by Eugen Bacon (Meerkat Press, 2019) is a multi-generational tale of otherworldly beings, superpowers, and the complexity of families. With a sweeping scope across time and space, it features elements of fantasy and science fiction blended together in a way that makes both seem utterly plausible within the world Bacon has constructed.

The narrative flows through the generations, beginning with T-Mo’s mother, Silhouette, and his wife, Salem, who carry the bulk of the story. In the later chapters, additional characters pick up the threads of the story. And much of the story is these interwoven threads, all related to one another but telling the story from a variety of perspectives. In this way, they pull together a richly woven tapestry of the story, supplemented by the gorgeous and lush language.

The voices of each of the multitude of characters are distinct and evocative, painting an entire picture of each character within a few brief pages of their introduction. And while many of the events of the book are clearly from the realm of speculative fiction, the story is told in such a way that it all seems real.

It should be noted that there are characters who exhibit a variety of abusive behaviors in the course of this novel, which may make it difficult for some to read. Despite this, I found Claiming T-Mo to be a wonderfully well-written book that I enjoyed reading on the whole. If it sounds like your sort of book, it will be available from Meerkat Press on August 13, 2019, and can be pre-ordered now.

The publisher provided us with a free copy of this novel in exchange for review consideration.

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I Didn’t Break the Lamp: Interview with Blake Jessop

Today, we’ve got another interview with one of our I Didn’t Break the Lamp authors. Blake Jessop is a returning author, who also had a story in Battling in All Her Finery!

DV: Tell us a bit about yourself!

Blake Jessop: I’m a thirty-eight-year-old Canadian short story writer. I did a master’s in creative writing at the University of Adelaide, and my style is a constant push and pull between fancy MFA prose and a profound desire to blow things up with a heavy metal soundtrack playing in the background.

DV: What inspired you to write “End User Agreement” for I Didn’t Break the Lamp?

BJ: I used the Mad Scientist Journal’s anthology theme as a writing prompt … and came up completely blank. I couldn’t think of a way to make an imaginary acquaintance cross over into the real world. That got me thinking about what imaginary friends really are, and why we need them.

I love writing about artificial intelligence, so I started toying with just how real the imaginary friend might be. Trying to figure out what would qualify an AI as “real” forces us to confront what exactly makes us real. In the end, I decided that regardless of how corporeal the imaginary acquaintance might be, what matters is whether or not you believe it is … and what you do about it.

DV: Emily Theory reads very realistically, especially for a character in a near-future setting. Was she inspired by a real life person or multiple people?

I taught a psychology lecture about cognitive biases at McGill University for a few years. While researching it, I discovered attachment therapy, and its horrible failure to understand why and how humans bond really stuck with me. Emily, the ex-Pentecostal hacker with attachment anxiety and a severe pizza addiction, started taking shape then and there. She was a character without a story until “End User Agreement,” so the other parts of her personality reflect my own fears about loneliness, longing, and finding a place in the world.

For the record, the unpleasant specifics about how attachment therapy works are real, and they made it easy to build both Emily’s verve and her insecurities. Good story ideas are really all we have to thank attachment therapy for; it was a stupid concept and richly deserves its place in the dustbin of bad ideas.

DV: Your story involves an AI who has gained sentience as the “imaginary” acquaintance. With the advances in machine learning, how realistic do you speculate this could be?

BJ: “End User Agreement” is an adventure story more than hard sci-fi, but I tried to keep the technological details as reasonable as possible. Drones that can deliver pizza or decide who to kill all by themselves are both things that either Amazon or the US military are working on right now. I’m personally optimistic that agreement between human and machine intelligence is possible, so I tend to write about it positively. With any luck, the first really sentient AIs will have someone nice like Emily to interact with, and will decide they’re better off letting us live.

There are a lot of scarier ways this could play out, however, and anyone who wants to know more should check out Nick Bostrom’s “Superintelligence,” which is deeply researched, often terrifying, and a lot of fun to read.

DV: If you had an imaginary friend growing up, what was their name, and what were they like?

I can’t ever remember having an imaginary friend of the magnitude of a wise-cracking tiger from “Calvin and Hobbes,” and I feel a little sad that I didn’t. On the other hand, all I’ve ever had to do to start hearing voices is close my eyes; I just give them names and write them down. I don’t have as hard a time telling them apart from the real world as Emily does … but I haven’t dreamt up any characters that accomplish quite as much as hers do, either.

DV: What’s on the horizon for you?

It’s been a good year so far in short story writing! I told a modern fairy tale about a Soviet engineer and a rusalka, re-told the fable of Theseus and the Minotaur on Venus, and feel very lucky that DreamForge Magazine took a chance on a really crazy cyberpunk story I wrote about elephants, punk rock, and renegade gene sequencing. I am also giddy with excitement (rare for me, look at the beard) to be working with Mad Scientist Journal again, after debuting with them last year in Battling in All Her Finery. These anthology themes keep dragging my favorite characters out of me. I also have three Twitter followers @everydayjisei, if anyone wants to get in touch to talk about robots!

 

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Fiction: Claridge of the Klondike

An essay by Euphemia Thorniwork, as provided by Judith Field
Art by Leigh Legler


London, 1898

The Solicitor took Father’s will from the hand of an automaton standing next to the desk. He waved the machine away and began reading. “To Euphemia Thorniwork, my Pheemie, my only daughter, I leave whatever money is in my bank account. She is of age, therefore she may receive the bequest without delay. It will contribute toward funding her intended mathematical study. Great things await her.” Only Father had called me Pheemie. Tears pooled in my eyes at the sound of it spoken in another man’s voice.

The solicitor continued, “I have faith that she will devise a way of paying for the remainder. I also leave her one of my inventions that may facilitate the matter.” He looked up and removed his pince-nez. “That is all. Despite my urging, your father included no indication as to what that is.”

The following day, I tried to poach an egg for lunch. It appeared that, contrary to all Father had taught me about chemistry, it is possible to burn water. As I scraped the cinders into the bin, I was interrupted by a knock on the front door.

A figure stood outside, the shape and size of a man but constructed of bronze. It was dressed like a country gentleman, with a black band tied around the upper right arm. The face, with a slit for the mouth to enable the voice to project, was smooth. Engraved curlicues above its eyes imitated eyebrows. According to the copperplate letters engraved on its forehead in Father’s handwriting, its name was Claridge. Its green glass eyes fixed mine. “My master–your late father–required that I reside with you as your adviser.”

I took a step back. “Adviser? How can an automaton get me to Oxford University?”

“I have faith that we will devise a way of achieving it.”

Illustration of a steampunk robot wearing a shirt and tie.

Claridge’s voice softened. “I have dragged you half across the world for no more than a game of chance. I truly believed that, in a few weeks, we would make our fortune.”


To read the rest of this story, check out the Mad Scientist Journal: Summer 2019 collection.


Readers may remember Euphemia Thorniwork from the essays published here: “Escapement” (Summer 2015) and “The Fissure of Rolando” (Spring 2017). She is a student of mathematics at Huxley College, Oxford, working her way through college as an assistant in the Physics Department. Following a laboratory accident, she was thrust into in a parallel universe where the events told here took place. Shortly after the end of this account, she blacked out and came to in our world. But who’s to say which is the real one?


Judith Field lives in London, UK. She is the daughter of writers, and learned how to agonise over fiction submissions at her parents’ knee. She’s a pharmacist working in emergency medicine, a medical writer, editor, and indexer. She mainly writes speculative fiction, a welcome antidote from the world she lives in. Her work has appeared in the USA, UK, and Australia. When she’s not working or writing, she knits, sings, and swims, not always at the same time. She is Assistant Editor at Red Sun Magazine.


Leigh’s professional title is “illustrator,” but that’s just a nice word for “monster-maker,” in this case. More information about them can be found at http://leighlegler.carbonmade.com/.


“Claridge of the Klondike” is © 2017 Judith Field
Art accompanying story is © 2019 Leigh Legler


This story originally appeared in The Colored Lens.

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Strange Science: Light in Slow Motion

Flare of light on a dark background

Zouavman Le Zouave (https://commons.wikimedia.org/wiki/File:Light_shining1.JPG) CC-by-sa-3.0 (https://creativecommons.org/licenses/by-sa/3.0/)

Scientists have developed a camera that can capture moving light in slow motion, by taking 10 trillion frames per second! The setup is actually a pair of cameras–one “streak” camera and one stationary camera–and it doesn’t actually capture all 10 trillion frames. But it captures enough frames to allow for scientists to then examine the data on how light moves.

What can be done with this data? All sorts of things! According to a summary of this information, “there are potential applications in physics, engineering, and medicine that depend heavily on the behavior of light at scales so small, and so short, that they are at the very limit of what can be measured.”

You can read more about the camera here!

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